Inside a hospital waiting area, police detectives ‘Zug and A’isha stand near a potted plant, conversing. ‘Zug, a large half-orc man with glasses and tusks, gestures casually while wearing a suit. A’isha, a bald human woman in a blazer, stands with her arms crossed and a knowing expression. A decorative tree design is visible on the wall behind them. Close-up of Detective ‘Zug, a large half-orc man with tusks, stubble, and glasses, speaking seriously. He’s wearing a dark suit, and behind him, hospital decor and blurred potted plants are visible. His expression is focused as he describes a dangerous encounter. Close-up of Detective A’isha, a bald Black woman, speaking with a serious expression. She’s partially turned to the side, her gaze steady. The softly lit hospital background includes a blurred leafy plant behind her.Detective ‘Zug, a large half-orc man with glasses and tusks, stands against a dark background with both hands raised in an exaggerated shrug. He wears a dark suit and a badge on a chain around his neck. His expression is awkwardly optimistic as he tries to put a positive spin on a grim situation.
Panel 1 Inside a hospital waiting area, police detectives ‘Zug and A’isha stand near a potted plant, conversing. ‘Zug, a large half-orc man with glasses and tusks, gestures casually while wearing a suit. A’isha, a bald human woman in a blazer, stands with her arms crossed and a knowing expression. A decorative tree design is visible on the wall behind them. Panel 2 Close-up of Detective ‘Zug, a large half-orc man with tusks, stubble, and glasses, speaking seriously. He’s wearing a dark suit, and behind him, hospital decor and blurred potted plants are visible. His expression is focused as he describes a dangerous encounter. Panel 3 Close-up of Detective A’isha, a bald Black woman, speaking with a serious expression. She’s partially turned to the side, her gaze steady. The softly lit hospital background includes a blurred leafy plant behind her. Panel 4 Detective ‘Zug, a large half-orc man with glasses and tusks, stands against a dark background with both hands raised in an exaggerated shrug. He wears a dark suit and a badge on a chain around his neck. His expression is awkwardly optimistic as he tries to put a positive spin on a grim situation.

Panel 1
‘Zug: Guess she ain’t bringin’ donuts.
A’isha: I should’ve known she’d go back. She gave up too easily this morning.

Panel 2
‘Zug: She doesn’t do anything the easy way. She took out six leg-draggers–
‘Zug(cont’d): –by herself. In close quarters.

Panel 3
A’isha: —and got bit for her trouble.

Panel 4
‘Zug: Could be worse. Could be dead. Or–
‘Zug (cont’d): –y’know… worse.

Dead shall rise – Chapter 2 page 3

We pull back for a breath and land with A’isha and ‘Zug-- two constables, two friends, two very different reactions to Ran being back in the hospital.

This page is about tone. Dry. Blunt. Worn down. There’s no panic here, but there’s no sugarcoating either. Ran’s hurt, again, and nobody’s surprised.

A’isha’s frustrated, maybe even a little guilty. ‘Zug, as always, plays the pragmatist. The guy doesn’t say much, but what he says cuts through. She doesn’t do anything the easy way. It’s not admiration. It’s resignation.

If there’s a theme here, it’s this: people don’t change just because they got hurt. Ran doesn’t. And her allies know it.

We’ve seen the blood. This is the bruise. Emotional, lingering, and all too familiar.

Next page, the temperature in the hospital shifts again-- quietly, and with someone even the cops don’t argue with.

Need to know who it is? Get the chapter PDF.