Ran, a young woman with straight black hair and a white hospital gown, sits upright in a hospital bed with her left arm in a sling. She holds a smoking service revolver with a wooden grip firmly in her right hand, aiming it off-panel with a determined expression.‘Zug, a heavyset half-orc wearing glasses and a black suit, looks down in shock and surprise at his empty waist holster as he realizes his weapon is missing. His mouth is open mid-exclamation, and one hand gestures outward in disbelief.Two hands exchange a black revolver with a brown grip. The larger, darker hand of ‘Zug reaches from the left to receive the weapon from Ran’s smaller hand, which wears a hospital wristband. ‘Zug, a half-orc man in a black suit and glasses, stands holding a revolver, next to Ran, a woman on a hospital bed who’s pushing herself up, preparing to leave. She has short black hair, wears a white hospital gown top, and her left arm is in a sling. She has a determined, “let’s get to work” expression. A’isha,a dark-skinned woman with a shaved head and black clothing, rubs the back of her neck as she catches up with what just happened.

Panel 1 Ran, a young woman with straight black hair and a white hospital gown, sits upright in a hospital bed with her left arm in a sling. She holds a smoking service revolver with a wooden grip firmly in her right hand, aiming it off-panel with a determined expression. Panel 2 ‘Zug, a heavyset half-orc wearing glasses and a black suit, looks down in shock and surprise at his empty waist holster as he realizes his weapon is missing. His mouth is open mid-exclamation, and one hand gestures outward in disbelief. Panel 3 Two hands exchange a black revolver with a brown grip. The larger, darker hand of ‘Zug reaches from the left to receive the weapon from Ran’s smaller hand, which wears a hospital wristband. Panel 4 ‘Zug, a half-orc man in a black suit and glasses, stands holding a revolver, next to Ran, a woman on a hospital bed who’s pushing herself up, preparing to leave. She has short black hair, wears a white hospital gown top, and her left arm is in a sling. She has a determined, “let’s get to work” expression. A’isha,a dark-skinned woman with a shaved head and black clothing, rubs the back of her neck as she catches up with what just happened.

Panel 1
No text or dialogue.

Panel 2
'Zug: Huh?!

Panel 3
Ran: Here. This belongs to you.

Panel 4
Ran: By the sound of it, he’s not the only one.
Ran (cont’d): Someone find me my pants.
Caption: End of Chapter 2

Dead shall rise – Chapter 2 page 12

Panel one is probably one of my favorite Ran faces to date.

After everything... blood loss, interrogation, infection scratching at the door-- Ran gets up.

This page is quiet, but not calm. The threat outside hasn’t gone away. The outbreak hasn’t been contained. But in this moment, there’s a beat of clarity: weapons passed, roles reestablished, momentum regained.

Ran returns a sidearm without ceremony. It’s a small act, but it speaks volumes-- she’s still thinking, still contributing, still herself. ‘Zug takes it without question. There’s no need to ask if she’s okay. No one in this room is.

And then comes the line: “Someone find me my pants.” A little levity in a hospital gown. It’s not about modesty-- it’s about motion. If she’s asking for clothes, she’s planning to move.

Chapter 2 doesn’t end with a scream or a speech. It ends with readiness. Whatever’s coming, Ran’s not lying down for it.

Chapter 3 begins soon.