A’isha, a dark-skinned woman with a shaved head, wearing a black blazer and a large badge on a ball chain, stands near a hospital door with a window. She looks to her left with a concerned expression. Behind her, an old television screen shows a woman with crossed arms and the words "This Saturday Night" visible.A partially opened door reveals a silhouetted uniformed cop standing in a dimly lit hallway. The figure’s face is obscured by shadow, but the short hair and badge on their chest are visible. The right side of the panel shows the profile of A’isha watching the figure. A zombified uniformed cop pushes open a door with one hand while gripping the doorframe with the other. His eyes are bloodshot, with clouded-over irises and pupils. His face is bloody and decaying, twisted in a snarl. A close-up of a wooden door with a wire-mesh window. Blood splatters across the window. Behind the glass, A’isha, a woman with a shaved head and freckles, wearing a black blazer and a badge on a ball chain, looks on with shock. Her hand grips the edge of the door on the right side of the panel.

Panel 1 A’isha, a dark-skinned woman with a shaved head, wearing a black blazer and a large badge on a ball chain, stands near a hospital door with a window. She looks to her left with a concerned expression. Behind her, an old television screen shows a woman with crossed arms and the words "This Saturday Night" visible. Panel 2 A partially opened door reveals a silhouetted uniformed cop standing in a dimly lit hallway. The figure’s face is obscured by shadow, but the short hair and badge on their chest are visible. The right side of the panel shows the profile of A’isha watching the figure. Panel 3 A zombified uniformed cop pushes open a door with one hand while gripping the doorframe with the other. His eyes are bloodshot, with clouded-over irises and pupils. His face is bloody and decaying, twisted in a snarl. Panel 4 A close-up of a wooden door with a wire-mesh window. Blood splatters across the window. Behind the glass, A’isha, a woman with a shaved head and freckles, wearing a black blazer and a badge on a ball chain, looks on with shock. Her hand grips the edge of the door on the right side of the panel.

Panel 1
A’isha: What’s going on out there? Sounds like a riot.

Panel 2
No text or dialogue.

Panel 3
No text or dialogue.

Panel 4
SFX: BLAM!

Dead shall rise – Chapter 2 page 11

Up until now, Ran’s room has felt like a buffer-- a place to regroup, talk, recover. That ends here.

It starts with a sound... muffled, heavy, wrong. A’isha’s instincts kick in. She’s on alert before there’s even a reason to be. Because she knows that kind of silence never lasts.

Then we see it.

A figure at the door, more dead than alive. Blood in its eyes. Pressure in its limbs. Whatever happened elsewhere in the hospital… has made it here.

The shot cuts through the moment. Quick. Final. And just like that, the room isn’t safe anymore... it’s just next.